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bluesrockreview.com
25 Dec, 1941
22 Jan, 2025
Non-Hodgkin lymphoma
American
American blues
83
Barry Goldberg has always lived with one foot in the past and one eye on the future — a blues keyboardist whose sound echoes the legacy of Muddy Waters while pulsing with the restless energy of rock and soul. A child prodigy turned in-demand session musician, Goldberg’s career is a hidden backbone of American music history — bridging classic Chicago blues with rock’s rebellious rise and soulful introspection. Behind some of the greatest names in music, Barry Goldberg’s fingers were quietly setting the tone — and often, changing the game.
Born on December 25, 1942, in Chicago, Illinois, Barry Goldberg grew up in a city bursting with sound. His Jewish-American upbringing gave him the grounding of tradition, but it was the South Side’s blues scene that captured his soul. While other kids were playing baseball, Barry was sneaking into smoky clubs to watch Muddy Waters and Howlin’ Wolf light up the stage.
He began playing piano as a child, discovering early on that music offered a kind of freedom nothing else could. By his teens, he was already known as a piano phenom, his playing steeped in boogie-woogie and gospel-inflected blues. He wasn't just imitating records — he was internalizing a language, learning to speak emotion fluently through the keys.
Fun fact: Goldberg once skipped his high school prom to sit in with blues legend Otis Rush — a decision that felt far more romantic in retrospect.
Though Barry Goldberg didn’t take the traditional academic path, his education came from masters of the craft. He immersed himself in Chicago’s bustling club scene, where his mentors were people like Buddy Guy, Willie Dixon, and Paul Butterfield. These weren’t classroom lessons — they were hard-earned truths learned one night at a time, under stage lights and through improvisation.
He studied jazz formally for a short time but found it too abstract. “Blues told the truth,” he would say later. “It came from pain, but it made people dance. That was the kind of education I wanted.”
Goldberg's big break came in 1965 when he played keyboards at the Newport Folk Festival behind Bob Dylan during the infamous “electric” set that shook the folk world. When Dylan plugged in and broke with tradition, Goldberg was right there beside him, part of a musical revolution. That single performance became a defining moment in music history — and Goldberg, though not a household name, was a key player in it.
Shortly after, he co-founded The Electric Flag with guitarist Mike Bloomfield, a band that fused blues, soul, and rock into a new, combustible sound. The group didn’t last long, but it burned bright, and its influence spread quickly. Their debut album, A Long Time Comin’, is still considered a blueprint for blues-rock fusion.
As a session musician and songwriter, Goldberg’s fingerprints are all over the music of the ’70s and ’80s. He collaborated with icons like Rod Stewart, Steve Miller, and B.B. King. His style — soulful, spacious, and emotionally direct — made him a favorite among artists looking for depth without flash.
He also enjoyed success as a songwriter. One of his best-known co-writing credits is “I’ve Got to Use My Imagination,” made famous by Gladys Knight & the Pips — a song that climbed the charts and remains a soul standard.
What many don’t know: Goldberg played on tracks that crossed genre lines, contributing to albums in rock, pop, gospel, and even country. His versatility was his secret weapon.
Though he never chased fame, Barry Goldberg’s career saw a resurgence in the 2000s. He reconnected with old collaborator Stephen Stills and formed The Rides, a blues-rock supergroup also featuring guitarist Kenny Wayne Shepherd. Their debut album, Can’t Get Enough (2013), introduced Goldberg to a new generation of blues fans and earned critical acclaim.
He also became a go-to producer for up-and-coming blues artists, mentoring young musicians while continuing to tour and record. In 2022, he was the subject of renewed interest following his involvement in The Bob Dylan Center in Tulsa, where his contributions to Dylan’s electric era were recognized and celebrated.
Away from the spotlight, Barry Goldberg is known as introspective, spiritual, and deeply devoted to the craft. He has been married to his wife, Carmelita, for decades, and is a proud father and grandfather. A private man, he has often let his music do the talking.
Despite his close proximity to stardom — and his friendships with legends — Goldberg remained grounded, never chasing headlines. “I was never about the solo,” he once said. “I was about the song.”
He’s also a noted collector of vintage keyboards and a self-proclaimed “gear nerd” — famously hauling a B-3 Hammond organ from gig to gig well into his 70s.
Barry Goldberg’s name might not always appear in bold print, but his influence is woven into the fabric of American music. As a bridge between the Chicago blues greats and the rock revolutionaries, he played a vital role in shaping the sound of a generation — and the ones that followed.
He’s remembered by his peers as a “musician’s musician” — someone who brought soul, subtlety, and sincerity to every recording he touched. For blues historians and die-hard fans, he is an unsung hero. For those who listen closely, he is the heartbeat behind the melody.
In the end, Barry Goldberg didn’t just play the blues. He lived it — with grace, grit, and groove.
Barry Joseph Goldberg
Barry Goldberg
Male
Non-Hodgkin lymphoma
Chicago, Illinois, U.S.
Los Angeles, California, U.S.
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Barry Goldberg is a highly respected volleyball coach known for his outstanding contributions to collegiate volleyball.
He led the American University women's volleyball team to multiple Patriot League championships and NCAA tournament appearances.
Over his career, he earned numerous Coach of the Year honors and is celebrated for building one of the most successful programs in the league’s history.