OR

m.media-amazon.com
19 Jul, 1964
13 Nov, 2025
Stroke
American
Producer
61
Dan McGrath spent his life shaping the way millions laughed. As a writer, producer, stage director, and tutor, he moved effortlessly between worlds — from the frenetic pace of Saturday Night Live to the animated brilliance of The Simpsons and King of the Hill. His humour could be sharp or surreal, sly or heartfelt, but it always carried his unmistakable creative fingerprint: bold, clever, and fearlessly original.
Born in Brooklyn in 1964, Dan grew up in a working-class household that blended discipline, curiosity, and a deep appreciation for storytelling in everyday life. His father, Gerard, worked as a machinist and electrician; his mother, Eleanor, kept the home running with warmth and quiet strength. That combination — practicality from his father, imagination and empathy from his mother — would later seep into Dan’s writing, giving his comedy both edge and heart.
As a child, he scribbled jokes and cartoons in the margins of school notebooks. He didn’t just want to make people laugh — he wanted to understand why humour worked. Even then, he had a knack for finding the absurd in the seemingly ordinary.
Dan attended Regis High School in Manhattan, an academically rigorous environment that sharpened his discipline and love for language. His creative instincts flourished even more dramatically at Harvard University, where he became a writer, cartoonist, and editor for The Harvard Lampoon. He eventually served as the organisation’s vice president — one of several early signs that he wasn’t just talented but also a natural creative leader.
His time at Harvard didn’t just teach him how to write jokes; it taught him how to build characters, structure narrative, and take risks — skills that would define his entire career. He also explored stage direction during these years, giving him a deeper understanding of timing, performance, and visual storytelling.
Dan’s first major leap came in 1991 when he joined the writing staff of Saturday Night Live. Working alongside some of the era’s most iconic comedians, he thrived under the pressure of weekly live television. In 1992, he earned an Emmy nomination — an early milestone that validated his sharp, daring writing style.
SNL taught him speed, precision, and the joy of pushing a joke right to the edge.
Dan joined The Simpsons in 1992, stepping into what would later be considered the show’s golden age. Across two stints — first as a writer, then later as a producer — he helped craft episodes that became cultural touchstones.
He contributed to classics, including:
“Boy-Scoutz ’n the Hood,”
“Time and Punishment,” the time-travel segment still beloved for its wild unpredictability,
“The Devil and Homer Simpson,” part of the iconic Treehouse of Horror series.
His work on The Simpsons earned him one of television’s highest honours: an Emmy Award in 1997 for the landmark episode “Homer’s Phobia.” Known for its humour and social resonance, the episode remains widely celebrated today.
Dan often joked that he had been fired from The Simpsons more than once, a reflection not of lack of talent but of the show’s intense creative pressures. Even then, everyone around him recognised his brilliance — and the results speak for themselves.
After The Simpsons, Dan continued shaping television comedy across a range of animated series. He contributed to Mission Hill, The PJs, Muppets Tonight, and the fan-favourite Gravity Falls.
But one of his major long-term chapters began with King of the Hill, where he served as both writer and producer. Across nearly a decade with the series, he helped deepen its subtle humour and emotional realism, contributing to episodes that explored family, identity, and American life with gentle wit and sincerity.
Later in his career, Dan returned to a medium he had always loved: teaching. He offered courses in comedy writing and cultural theory, guiding young writers with the same generosity and curiosity that defined his own creative process. Students remembered him as warm, incisive, and unafraid to challenge them — always in service of helping them craft something meaningful.
Away from the world of television, Dan was known for his warmth, eccentric humour, and fierce loyalty to his family. He is survived by his mother, siblings, and extended family, all of whom he remained deeply connected to throughout his life. To colleagues and friends, he was equal parts brilliant and disarmingly kind — the sort of writer whose presence made a writers’ room brighter and braver.
Dan McGrath’s legacy lives in the lines people still quote, the episodes fans rewatch year after year, and the writers and comedians he influenced along the way. His work helped define The Simpsons at its peak, brought nuance and heart to King of the Hill, and left an indelible mark on multiple generations of animated storytelling.
He didn’t just write jokes — he shaped the language of modern comedy. He didn’t just produce episodes — he built worlds that continue to echo in pop culture. And he didn’t just teach — he passed on a tradition of creativity, curiosity, and courage.
Dan McGrath will be remembered as a fearless comedic thinker, a generous mentor, and a creative force whose impact will continue to ripple through the stories people tell and the laughter they share for years to come.
Daniel Anthony McGrath
Dan McGrath
Male
Stroke
New York, New York, United States
New York, New York, United States
Entertainer: Dan McGrath was known for his warm, eccentric sense of humour and a generous, collaborative spirit that made writers’ rooms brighter and bolder wherever he worked.
He served as vice president of The Harvard Lampoon during his university years.
He taught comedy and cultural theory later in life, working directly with emerging writers.
Before his TV career, he also directed stage productions, reflecting his wide creative range.
Dan McGrath was an Emmy-winning writer and producer whose work helped define some of the most memorable eras of The Simpsons and King of the Hill.
He earned an Emmy Award for his contributions to the The Simpsons episode “Homer’s Phobia,” a landmark piece of television praised for its social impact and humour.
Earlier in his career, he received an Emmy nomination for his writing on Saturday Night Live, validating his talent at a young age.
Beyond awards, he left an enduring creative legacy across several acclaimed animated series.